golden attic aka grandma’s jersey house, 1985

installation
Written By Stacey Gee

132” x 60” x 108”

Golden wood panels, plastic grass, fur clouds, scrying mirrors, scent of wet dirt

(2018)

explore mothergrandmother

Work
anonymous disciples
flatwork
superstitious
anonymous disciples
flatwork
superstitious

16” x 9”

Framed 1960’s print of the last supper, carved glass, neon yellow acrylic paint

(2023)

flatwork
superstitious
remembering a pomander
flatwork
superstitious
remembering a pomander
flatwork
superstitious

4” x 4”

Acrylic paint on canvas

(2023)

flatwork
superstitious
mourning jesus
flatwork
superstitious
mourning jesus
flatwork
superstitious

17” x 21”

Metal framed 1950’s print of Jesus, pint felt, my mother’s hair, light

(2023)

flatwork
superstitious
plated pomander
flatwork
superstitious
plated pomander
flatwork
superstitious

4” x 4”

Acrylic paint on canvas

(2023)

flatwork
superstitious
sapling revolt
sculpture
superstitious, natural found objects
sapling revolt
sculpture
superstitious, natural found objects

126” x 72” x 48”



Manipulated found wood, dagger blanks, white shag carpet, dye, acrylic paint



(2018)

sculpture
superstitious, natural found objects
fuss fuss sarcophagus
sculpture, installation
superstitious, wedding dress, natural found objects
fuss fuss sarcophagus
sculpture, installation
superstitious, wedding dress, natural found objects

248” x 168” x 140” - dimensions variable



Three used wedding dresses, manipulated found wood, dirt balls, golden mirrors, porcelain mirror with water, scent of pine and vetiver, prairie reeds



(2018)

sculpture, installation
superstitious, wedding dress, natural found objects
Stacey Gee
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rescue was A long way off
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her boredom Is exquisite and excessive. in her Is The end of breeding.